Mural Sketches - Is it Worth Paying?

The answer is YES; you have to pay for the initial design, although many muralists still choose to include the design price into the total cost of the project, depending on size and complexity of the work.

But what is a sketch and what is a design? Is there a difference? Why does it cost money? How is it done? How much time does it take?

Please note that a 'sketch' is a drawing of an idea that is done rapidly and it is meant to capture the very essence of the idea and composition. A 'design' is something that has been developed further and usually it takes hours and even days to create one.

We all know that when we start a project we have a vague idea of what it represents. This idea gets developed when out down on a piece of paper. Writers will write down a small paragraph that describes the main ideas, musicians will start with some notes, and artists will create a quick drawing. However, all this is still too ambiguous and hard to understand by somebody else. This is because an artist uses a personal visual language, which is rough and unclear for the beginning.

Therefore, an initial design has to be developed by the artist based on the sketch. The initial sketch might become a source of multiple designs (not just one) for a mural project. And, as I said before, it will take much more time than the sketch itself; this is because a more detailed design is a thorough analysis of the project. A lot of details would have to be added and, depending on the project, a lot of research would have to be done.

Drawing accurately is an important task. This is when the artist puts on paper all possible details, and attention to proportion and perspective is crucial. For those of you who are not artists this seems to be a piece of cake, something done rapidly, in just a few minutes! And this is the reason that you would not consider that you have to pay for the design. But 'minutes' is time!

Moreover, the artist is a professional who has a degree or more, has many awards and good reviews, and has achieved good experience over the years. He/she is there for you to solve a problem based on all this experience. This is why you have to appreciate his/her time and pay for the design, no matter how much time was spent. A design is time and time is money. I hope you agree...

I am a professional artist and educator. My portfolio consists of hand-painted public and residential murals in various styles, most of them located in South Florida. I am versed in both representational (realistic) and abstract art, and I am always looking forward to projects that challenge my thinking in generating original ideas. Most of my murals are painted in naturalistic style, using the trompe l'oeil effects (from French "to trick the eye".) http://www.muralsbygeorgeta.com/

Mural Sketches - Is it Worth Paying?

The answer is YES; you have to pay for the initial design, although many muralists still choose to include the design price into the total cost of the project, depending on size and complexity of the work.

But what is a sketch and what is a design? Is there a difference? Why does it cost money? How is it done? How much time does it take?

Please note that a 'sketch' is a drawing of an idea that is done rapidly and it is meant to capture the very essence of the idea and composition. A 'design' is something that has been developed further and usually it takes hours and even days to create one.

We all know that when we start a project we have a vague idea of what it represents. This idea gets developed when out down on a piece of paper. Writers will write down a small paragraph that describes the main ideas, musicians will start with some notes, and artists will create a quick drawing. However, all this is still too ambiguous and hard to understand by somebody else. This is because an artist uses a personal visual language, which is rough and unclear for the beginning.

Therefore, an initial design has to be developed by the artist based on the sketch. The initial sketch might become a source of multiple designs (not just one) for a mural project. And, as I said before, it will take much more time than the sketch itself; this is because a more detailed design is a thorough analysis of the project. A lot of details would have to be added and, depending on the project, a lot of research would have to be done.

Drawing accurately is an important task. This is when the artist puts on paper all possible details, and attention to proportion and perspective is crucial. For those of you who are not artists this seems to be a piece of cake, something done rapidly, in just a few minutes! And this is the reason that you would not consider that you have to pay for the design. But 'minutes' is time!

Moreover, the artist is a professional who has a degree or more, has many awards and good reviews, and has achieved good experience over the years. He/she is there for you to solve a problem based on all this experience. This is why you have to appreciate his/her time and pay for the design, no matter how much time was spent. A design is time and time is money. I hope you agree...

I am a professional artist and educator. My portfolio consists of hand-painted public and residential murals in various styles, most of them located in South Florida. I am versed in both representational (realistic) and abstract art, and I am always looking forward to projects that challenge my thinking in generating original ideas. Most of my murals are painted in naturalistic style, using the trompe l'oeil effects (from French "to trick the eye".) http://www.muralsbygeorgeta.com/

Mural Sketches - Is it Worth Paying?

The answer is YES; you have to pay for the initial design, although many muralists still choose to include the design price into the total cost of the project, depending on size and complexity of the work.

But what is a sketch and what is a design? Is there a difference? Why does it cost money? How is it done? How much time does it take?

Please note that a 'sketch' is a drawing of an idea that is done rapidly and it is meant to capture the very essence of the idea and composition. A 'design' is something that has been developed further and usually it takes hours and even days to create one.

We all know that when we start a project we have a vague idea of what it represents. This idea gets developed when out down on a piece of paper. Writers will write down a small paragraph that describes the main ideas, musicians will start with some notes, and artists will create a quick drawing. However, all this is still too ambiguous and hard to understand by somebody else. This is because an artist uses a personal visual language, which is rough and unclear for the beginning.

Therefore, an initial design has to be developed by the artist based on the sketch. The initial sketch might become a source of multiple designs (not just one) for a mural project. And, as I said before, it will take much more time than the sketch itself; this is because a more detailed design is a thorough analysis of the project. A lot of details would have to be added and, depending on the project, a lot of research would have to be done.

Drawing accurately is an important task. This is when the artist puts on paper all possible details, and attention to proportion and perspective is crucial. For those of you who are not artists this seems to be a piece of cake, something done rapidly, in just a few minutes! And this is the reason that you would not consider that you have to pay for the design. But 'minutes' is time!

Moreover, the artist is a professional who has a degree or more, has many awards and good reviews, and has achieved good experience over the years. He/she is there for you to solve a problem based on all this experience. This is why you have to appreciate his/her time and pay for the design, no matter how much time was spent. A design is time and time is money. I hope you agree...

I am a professional artist and educator. My portfolio consists of hand-painted public and residential murals in various styles, most of them located in South Florida. I am versed in both representational (realistic) and abstract art, and I am always looking forward to projects that challenge my thinking in generating original ideas. Most of my murals are painted in naturalistic style, using the trompe l'oeil effects (from French "to trick the eye".) http://www.muralsbygeorgeta.com/

What You Should Know Before Painting Outdoor Sketches?

There is no way of painting more difficult than outdoor sketches. When the weather is not stable, it may not necessarily allow you to instantly complete the work on the spot. But to paint some color sketches needs much time, so you can use them as reference, and then go back to the studio and make creation on the basis of this. Surround yourself with nature and feel the natural environment around you, then you will be able to express the unique customs special climate condition in a particular location and condition, and this is the charm of landscape painting.

Oil paint is the ideal outdoor media. If you use small-sized canvas or palette, you will be able to quickly cover them with paint. Small color sketches made before creation are often painted on cardboard or paper. These two kinds of substrates are very suitable for drawing color sketches. You can also buy some special sketch painting paper whose price is not expensive. But some artists don't like this kind of sketch paper, because their surface is somewhat sticky, while others think they are very easy to use.

Of course, we must admit that outdoor painting will still be affected by some objective factors. Many artists have experienced the sun burns, insect bites, gusts of wind and heavy rain. So in the summer, you can bring some sunscreen and insect repellents, sunshade hat and other protection products; but in winter, you should wear a pair of thick warm socks, if necessary, you can also bring a thermos bottle. Of course, no matter whatever the weather, it is always ready for an umbrella so as to avoid your hard work being destroyed on one day. These preparations are not redundant, because if the body is uncomfortable, your painting ability will be declined.

To some extent, the reason why the scenery is favored by most painters is they think the scenery is easier to draw than the portrait or construction. But even you do not need to draw them completely the same with the object (if there is no need to make the lines of mountain and objects the same in the painting), but careful observation and skillful painting techniques are still very important here. For composition needs, it is completely allowable if moving one object (such as a tree) from one side to the other. But if you arbitrarily change the object's shape, you will not be able to hold its own characteristics, and then it will lose the meaning of sketch.

So in the ordinary case, unless you have a well-thought-out plan about the whole painting, otherwise the painting is better from scratch in order to establish the relationship between the main parts of each other on the painting. And don't forget that landscape painting is a perspective, like a river, the fence and field. Such kind of object and the proportion of perspective are crucial for the painting. The requirement for these relationships in painting plain scenery is more precise. You will surprisingly find that in your eyes, the middle great lake appears on your view as a narrow band. If you are a beginner, at this time you may still have to measure with the actual reference. Pick up a pencil or brush pen, and then poison in the barrel with your thumb. In this way, measure the object's length and width ratio. And if you are able to find the correct proportion position by visual inspection, then you have the ability to make visual information into painting.

What You Should Know Before Painting Outdoor Sketches?

There is no way of painting more difficult than outdoor sketches. When the weather is not stable, it may not necessarily allow you to instantly complete the work on the spot. But to paint some color sketches needs much time, so you can use them as reference, and then go back to the studio and make creation on the basis of this. Surround yourself with nature and feel the natural environment around you, then you will be able to express the unique customs special climate condition in a particular location and condition, and this is the charm of landscape painting.

Oil paint is the ideal outdoor media. If you use small-sized canvas or palette, you will be able to quickly cover them with paint. Small color sketches made before creation are often painted on cardboard or paper. These two kinds of substrates are very suitable for drawing color sketches. You can also buy some special sketch painting paper whose price is not expensive. But some artists don't like this kind of sketch paper, because their surface is somewhat sticky, while others think they are very easy to use.

Of course, we must admit that outdoor painting will still be affected by some objective factors. Many artists have experienced the sun burns, insect bites, gusts of wind and heavy rain. So in the summer, you can bring some sunscreen and insect repellents, sunshade hat and other protection products; but in winter, you should wear a pair of thick warm socks, if necessary, you can also bring a thermos bottle. Of course, no matter whatever the weather, it is always ready for an umbrella so as to avoid your hard work being destroyed on one day. These preparations are not redundant, because if the body is uncomfortable, your painting ability will be declined.

To some extent, the reason why the scenery is favored by most painters is they think the scenery is easier to draw than the portrait or construction. But even you do not need to draw them completely the same with the object (if there is no need to make the lines of mountain and objects the same in the painting), but careful observation and skillful painting techniques are still very important here. For composition needs, it is completely allowable if moving one object (such as a tree) from one side to the other. But if you arbitrarily change the object's shape, you will not be able to hold its own characteristics, and then it will lose the meaning of sketch.

So in the ordinary case, unless you have a well-thought-out plan about the whole painting, otherwise the painting is better from scratch in order to establish the relationship between the main parts of each other on the painting. And don't forget that landscape painting is a perspective, like a river, the fence and field. Such kind of object and the proportion of perspective are crucial for the painting. The requirement for these relationships in painting plain scenery is more precise. You will surprisingly find that in your eyes, the middle great lake appears on your view as a narrow band. If you are a beginner, at this time you may still have to measure with the actual reference. Pick up a pencil or brush pen, and then poison in the barrel with your thumb. In this way, measure the object's length and width ratio. And if you are able to find the correct proportion position by visual inspection, then you have the ability to make visual information into painting.

What You Should Know Before Painting Outdoor Sketches?

There is no way of painting more difficult than outdoor sketches. When the weather is not stable, it may not necessarily allow you to instantly complete the work on the spot. But to paint some color sketches needs much time, so you can use them as reference, and then go back to the studio and make creation on the basis of this. Surround yourself with nature and feel the natural environment around you, then you will be able to express the unique customs special climate condition in a particular location and condition, and this is the charm of landscape painting.

Oil paint is the ideal outdoor media. If you use small-sized canvas or palette, you will be able to quickly cover them with paint. Small color sketches made before creation are often painted on cardboard or paper. These two kinds of substrates are very suitable for drawing color sketches. You can also buy some special sketch painting paper whose price is not expensive. But some artists don't like this kind of sketch paper, because their surface is somewhat sticky, while others think they are very easy to use.

Of course, we must admit that outdoor painting will still be affected by some objective factors. Many artists have experienced the sun burns, insect bites, gusts of wind and heavy rain. So in the summer, you can bring some sunscreen and insect repellents, sunshade hat and other protection products; but in winter, you should wear a pair of thick warm socks, if necessary, you can also bring a thermos bottle. Of course, no matter whatever the weather, it is always ready for an umbrella so as to avoid your hard work being destroyed on one day. These preparations are not redundant, because if the body is uncomfortable, your painting ability will be declined.

To some extent, the reason why the scenery is favored by most painters is they think the scenery is easier to draw than the portrait or construction. But even you do not need to draw them completely the same with the object (if there is no need to make the lines of mountain and objects the same in the painting), but careful observation and skillful painting techniques are still very important here. For composition needs, it is completely allowable if moving one object (such as a tree) from one side to the other. But if you arbitrarily change the object's shape, you will not be able to hold its own characteristics, and then it will lose the meaning of sketch.

So in the ordinary case, unless you have a well-thought-out plan about the whole painting, otherwise the painting is better from scratch in order to establish the relationship between the main parts of each other on the painting. And don't forget that landscape painting is a perspective, like a river, the fence and field. Such kind of object and the proportion of perspective are crucial for the painting. The requirement for these relationships in painting plain scenery is more precise. You will surprisingly find that in your eyes, the middle great lake appears on your view as a narrow band. If you are a beginner, at this time you may still have to measure with the actual reference. Pick up a pencil or brush pen, and then poison in the barrel with your thumb. In this way, measure the object's length and width ratio. And if you are able to find the correct proportion position by visual inspection, then you have the ability to make visual information into painting.