How to Find The Combination of Still Life in Oil Paintings in Daily Life?

In still life paintings, places of objects usually (but not always) look very natural, but most of them are carefully laid out by the painter. Like Cezanne, he will take a few days to consider arrangements for his still lives, and take a longer time to express them, but his still life paintings look very natural. One trick of looking for still life is to "find". Nobody will artificially arrange them. Whether indoors or outdoors, no matter what the object is, as long as you think they're interesting and can be used to draw, such as the kitchen pots and pans, a loaf of bread placed on a tray, mantel articles, a book on the arm of the chair's book, the flowers in the Garden pots or deckchair, and even the beach rocks and pebbles.

Distribution patterns of these objects are usually more interesting than your deliberate arrangement. A number of them may be falling, and some are blocked up and can only be seen one part, but their size and color combinations are stochastic collocation. And you need to choose the most appropriate one from the point of view of these objects into the painting. Find a piece of cardboard and cut it into a square "window", which can be used to help you find a composition. You can even use your fingers to gesticulate into a natural viewing window. You may also need to move or to change one or two objects, because their original positions are somewhat obscure. If things were too messy, you can also take some away.

Drawing these random still-life portfolios can exercise your drawing skills. Because objects you usually find will not maintain this state for a long time, so it forces you to paint quickly and decisively. Or even to a certain extent on the painting, even if you left the objects, you could continue to paint and use the fastest direct painting techniques, which can make you more likely to exhibit this instant state of objects. These works are usually coming from the painter's accidental inspiration-in a messy environment, suddenly finding a potential painting composition. But generally it is necessary to make minor adjustments to the object position, or to remove some unwanted objects, while in the other aspect this group of still life painting conditions is met. In the description of the accidental discovery of still life, some free or slightly casual brush strokes can be used to emphasize the accidental traits of still life. In this painting, the open drawer, tilt book and shoes on the floor show a random state of these items after being cleaned up.

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Jerryc Lu has published 51 articles. Article submitted on April 15, 2013. Word count: 439

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How to Find The Combination of Still Life in Oil Paintings in Daily Life?

In still life paintings, places of objects usually (but not always) look very natural, but most of them are carefully laid out by the painter. Like Cezanne, he will take a few days to consider arrangements for his still lives, and take a longer time to express them, but his still life paintings look very natural. One trick of looking for still life is to "find". Nobody will artificially arrange them. Whether indoors or outdoors, no matter what the object is, as long as you think they're interesting and can be used to draw, such as the kitchen pots and pans, a loaf of bread placed on a tray, mantel articles, a book on the arm of the chair's book, the flowers in the Garden pots or deckchair, and even the beach rocks and pebbles.

Distribution patterns of these objects are usually more interesting than your deliberate arrangement. A number of them may be falling, and some are blocked up and can only be seen one part, but their size and color combinations are stochastic collocation. And you need to choose the most appropriate one from the point of view of these objects into the painting. Find a piece of cardboard and cut it into a square "window", which can be used to help you find a composition. You can even use your fingers to gesticulate into a natural viewing window. You may also need to move or to change one or two objects, because their original positions are somewhat obscure. If things were too messy, you can also take some away.

Drawing these random still-life portfolios can exercise your drawing skills. Because objects you usually find will not maintain this state for a long time, so it forces you to paint quickly and decisively. Or even to a certain extent on the painting, even if you left the objects, you could continue to paint and use the fastest direct painting techniques, which can make you more likely to exhibit this instant state of objects. These works are usually coming from the painter's accidental inspiration-in a messy environment, suddenly finding a potential painting composition. But generally it is necessary to make minor adjustments to the object position, or to remove some unwanted objects, while in the other aspect this group of still life painting conditions is met. In the description of the accidental discovery of still life, some free or slightly casual brush strokes can be used to emphasize the accidental traits of still life. In this painting, the open drawer, tilt book and shoes on the floor show a random state of these items after being cleaned up.

How to Find The Combination of Still Life in Oil Paintings in Daily Life?

In still life paintings, places of objects usually (but not always) look very natural, but most of them are carefully laid out by the painter. Like Cezanne, he will take a few days to consider arrangements for his still lives, and take a longer time to express them, but his still life paintings look very natural. One trick of looking for still life is to "find". Nobody will artificially arrange them. Whether indoors or outdoors, no matter what the object is, as long as you think they're interesting and can be used to draw, such as the kitchen pots and pans, a loaf of bread placed on a tray, mantel articles, a book on the arm of the chair's book, the flowers in the Garden pots or deckchair, and even the beach rocks and pebbles.

Distribution patterns of these objects are usually more interesting than your deliberate arrangement. A number of them may be falling, and some are blocked up and can only be seen one part, but their size and color combinations are stochastic collocation. And you need to choose the most appropriate one from the point of view of these objects into the painting. Find a piece of cardboard and cut it into a square "window", which can be used to help you find a composition. You can even use your fingers to gesticulate into a natural viewing window. You may also need to move or to change one or two objects, because their original positions are somewhat obscure. If things were too messy, you can also take some away.

Drawing these random still-life portfolios can exercise your drawing skills. Because objects you usually find will not maintain this state for a long time, so it forces you to paint quickly and decisively. Or even to a certain extent on the painting, even if you left the objects, you could continue to paint and use the fastest direct painting techniques, which can make you more likely to exhibit this instant state of objects. These works are usually coming from the painter's accidental inspiration-in a messy environment, suddenly finding a potential painting composition. But generally it is necessary to make minor adjustments to the object position, or to remove some unwanted objects, while in the other aspect this group of still life painting conditions is met. In the description of the accidental discovery of still life, some free or slightly casual brush strokes can be used to emphasize the accidental traits of still life. In this painting, the open drawer, tilt book and shoes on the floor show a random state of these items after being cleaned up.

How to Find The Combination of Still Life in Oil Paintings in Daily Life?

In still life paintings, places of objects usually (but not always) look very natural, but most of them are carefully laid out by the painter. Like Cezanne, he will take a few days to consider arrangements for his still lives, and take a longer time to express them, but his still life paintings look very natural. One trick of looking for still life is to "find". Nobody will artificially arrange them. Whether indoors or outdoors, no matter what the object is, as long as you think they're interesting and can be used to draw, such as the kitchen pots and pans, a loaf of bread placed on a tray, mantel articles, a book on the arm of the chair's book, the flowers in the Garden pots or deckchair, and even the beach rocks and pebbles.

Distribution patterns of these objects are usually more interesting than your deliberate arrangement. A number of them may be falling, and some are blocked up and can only be seen one part, but their size and color combinations are stochastic collocation. And you need to choose the most appropriate one from the point of view of these objects into the painting. Find a piece of cardboard and cut it into a square "window", which can be used to help you find a composition. You can even use your fingers to gesticulate into a natural viewing window. You may also need to move or to change one or two objects, because their original positions are somewhat obscure. If things were too messy, you can also take some away.

Drawing these random still-life portfolios can exercise your drawing skills. Because objects you usually find will not maintain this state for a long time, so it forces you to paint quickly and decisively. Or even to a certain extent on the painting, even if you left the objects, you could continue to paint and use the fastest direct painting techniques, which can make you more likely to exhibit this instant state of objects. These works are usually coming from the painter's accidental inspiration-in a messy environment, suddenly finding a potential painting composition. But generally it is necessary to make minor adjustments to the object position, or to remove some unwanted objects, while in the other aspect this group of still life painting conditions is met. In the description of the accidental discovery of still life, some free or slightly casual brush strokes can be used to emphasize the accidental traits of still life. In this painting, the open drawer, tilt book and shoes on the floor show a random state of these items after being cleaned up.

Paul Cezanne's Human Still Life Painting-- The Card Players

The Card Players is a series of famous oil paintings created in the 1890s by Paul Cezanne, who is a well-known French Post-Impressionist artist. There are 5 paintings of the same subject in this series. The subject is some peasants being fascinated in playing cards with their eyes casting downward. Each of the five paintings depicts the same scene. This series is favored and admired by critics as best works of Cezanne during his final period.

During the period of 1882-1888, it seemed that Cezanne concentrated himself on the landscape paintings. He strive to express his own feelings through the landscape. However, since 1888 till the end of the 19th century, his most outstanding works are portraits. Cezanne's portraits are famous for their lack of drama, narrative, and conventional characterization. The Card Players is Cezanne's best work in composition. He had repeatedly painted the cards player themed works.

Let's have a look at the best painting among the five. The player sitting on the left wears a purple and blue shirt, and the player on the right is in yellow shirt. These images are very harmonious. Meanwhile the fleshy red skin and sandy table matches each other perfectly. These contracts result in stereoscopic images. The characters are vividly portrayed with distinguishing characteristic and the painting composition is smooth and symmetrical. There is no tone destroying he overall unity. If the painter added a few more coherent lines, it would lead to the isolation of the characters. All the objects painted are composed of a mass of colors. Obviously this painting fully embodies Cezanne's personal .artistic style.

The models for the paintings The Card Players mainly were local farmhands so that it can reveal the real aspect of the life. Just as Cezanne's still life painting, each scene stays at a quiet and still moment; the men look down at their cards thinking about how to play well. They do not look at each other and chat but concentrate themselves on the cards. Maybe playing cards is the only way for them to communicate.

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